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The Evil Dead (1981): A-
Countless imitators later, The Evil Dead remains a dizzying bloodbath in which gore proves both nasty and amusing. Setting the template for thousands of subsequent followers, Sam Raimi’s debut film charts the saga of two guys and three girls as they embark on a vacation in a remote forest cabin where, in a creepy dungeon…
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The Eclipse (2009): C
Unsure of what it wants to be, The Eclipse winds up only being a mishmashed nothing. In a seaside Irish town, high school woodworking teacher Michael (Ciarán Hinds) still grieves over the death of his wife, a loss that’s left him to raise their two kids on his own and has also, it seems, caused…
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Festival Frenzy
The past few weeks have been spent covering not only new releases, but three separate Lincoln Center-sponsored film series – Film Comment Selects, Rendez-Vous with French Cinema, and New Directors/New Films. As such, I've had time for little other than writing, most of which is now finally online – and posted here (or below). For…
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Repo Men (2010): C
Tantalizing at first and then increasingly tedious thereafter, Repo Men has a sci-fi set-up primed to deliver commentary on our callous, insufficient health care system, and then doesn’t do so. Lay the blame squarely at the feet of director Miguel Sapochnik and writers Eric Garcia and Garrett Lerner, who after establishing a near-future in which…
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Alice in Wonderland (2010): C
Alice in Wonderland is exactly what one would imagine a Tim-Burton directed adaptation of Lewis Carroll’s novel to be – tons of menacing, slightly grotesque creatures, an ethereal-yet-tough female protagonist, and Johnny Depp as a supposedly delightful weirdo. As such, Burton’s latest re-emphasizes the nagging impression that the director is stuck in a creative rut,…
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The Runaways (2010): C
A rebel yawn of a rock n’ roll biopic, The Runaways focuses on the rise and fall of the titular ‘70s all-girl group and, specifically, the twin paths taken by leather-and-growl lead guitarist/songwriter Joan Jett and Fawcett-glamorous singer Cheri Currie. In the hands of writer/director Floria Sigismondi, said stories were marked only by clichés about…
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Mother (2010): A-
Bong Joon-ho nominally returns to the scene of Memories of Murder’s crime with Mother, re-immersing himself in a small-town community teeming with quirky lowlifes and deep dark secrets, and shaken by a sexually motivated murder. Yet if the setting – and, for that matter, the tone of inquisitive, slightly scornful detachment – remains the same,…
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The Ghost Writer (2010): B
So-so material elevated by stirring direction, or formally impeccable craftsmanship wasted on a sluggish suspense yarn? No matter your glass-half-whatever perspective, The Ghost Writer functions largely as a showcase for its under-house-arrest helmsman Roman Polanski, whose latest is a subtle visual stunner awash in creeping paranoia and anxiety. Hired to ghost-pen the autobiography of a…
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Shadow, Secret and Apocalypse
Three new reviews for this latest round-up post, which is skimpy by and large because a few recent reviews haven't been published yet. Nonetheless, Happy End (regardless of its awful international poster, at left) is a keeper. Out Now:The Secret of Kells (Slant magazine)Harlan: In the Shadow of Jew Süss (Slant magazine) Film Comment Selects:Happy…
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Shutter Island (2010): C+
Dialed up to 11 for nearly all of its bloated 138-minute runtime, Shutter Island adapts Dennis Lehane’s novel with a baroque extravagance that can’t compensate for lousy pop-lit source material and a script (by Laeta Kalogridis) that both fails to elicit engagement with its characters and invest its puzzle-box story with meta-cinema weight. In 1954,…
