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Volver (2006): B+
Without much kink or florid hysteria to enliven its narrative complications, Volver proves to be one of Pedro Almodóvar’s most temperamentally restrained efforts, though such a muted tone doesn’t detract from its emotional power. The Spanish maestro’s latest is, as its title (translation: “To Return”) implies, a revisitation of many familiar Almodóvar fixations (if not…
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Battle in Heaven (2006): B+
With its interest in ritual as a dehumanizing/transcendent force, its unaffected performances, and its methodical, meditative widescreen cinematography, Battle in Heaven naturally elicits comparisons to the work of Robert Bresson and Andrei Tarkovsky. And at times, director Carlos Reygadas’s follow-up to 2002’s Jápon seems a tad too convinced that it belongs in such rarified company,…
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Ong-Bak: The Thai Warrior (2005): C
Tony Jaa knows how to jump over, around and through environmental objects. He knows how to punch, kick and spin with both power and speed. And he definitely knows how to deliver airborne knees to the head and crushing elbows to the cranium. What eludes the agile martial artist, however, is how to act, a…
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Snakes. On a Plane.
Many films hit theaters today, but for most moviegoers, only one is of serious interest: Snakes on a Plane. So without further ado, here’s my hot-off-the-presses review. Snakes on a Plane (Slant magazine) For those who could care less about Sam Jackson’s reptile troubles, however, here are some other new/recent reviews, including one for Outkast’s…
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The Illusionist (2006): C+
To reference The Illusionist’s most obvious cinematic forerunner would be to ruin its central revelation, but suffice it to say that Neil Burger’s period piece (based on Steven Millhauser’s short story “Eisenheim The Illusionist”) – about a mysterious magician named Eisenheim (Edward Norton) who causes much consternation for Crown Prince Leopold (Rufus Sewell) in turn-of-the-century…
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Gabrielle (2005): B+
The marriage at the center of Gabrielle dissolves as a result of apathy, but there’s nothing lethargic about Patrice Chéreau’s period piece, an emotionally explosive adaptation of Joseph Conrad’s short story “The Return” that simmers with anger, resentment and long-suppressed desire. Walking from the train to his Paris home in what appears to be the…
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On Dangerous Ground (1952): A
One of noir’s most soulful and poetic expressions of hope and redemption – two commodities usually in short supply in the fatalistic genre – Nicholas Ray’s On Dangerous Ground begins hard and bitter, only to slowly transform into something gentle and poignant. Detective Jim Wilson (Robert Ryan) is so repulsed by the seedy urban underworld…
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Friday Night Link Dump
Since checking out World Trade Center on Monday, I’ve been busy seeing less high-profile releases, none of which are likely to incite a ton of excitement. Nonetheless, of these five new reviews, two of them – for Princesas and Pulse – are moderately positive. Out Now: Pulse (2006) (Slant magazine) Out Later: Princesas (Slant magazine)…
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Cinematic 9/11, Round Two
Oliver Stone tackles 9/11 with this week’s World Trade Center, and though it’s far from a definitive examination of that fateful day (and thus somewhat misleadingly titled), it’s nonetheless a respectable portrait of courage, altruism and heroism. World Trade Center (Slant magazine) Those not interested in reliving the WTC attacks may want to check out…
